TO BE RIGHT – OR – TO GET RIGHT
Mr K - A Story of Passion, The Dialyses Case, Ossietzky, Temptation and some other art projects.
After a reading experience of Franz Kafka's The Trial, Torsten Jurell carved his own picture story in four painted oak reliefs. The theme is processed in several versions...
Mr K - A Story of Passion
(Develouped and transformed through 3 series of reliefs + paintings, woodcut prints)
"MR K - A STORY OF PASSION
is a suite of four oak reliefs produced over a period of four years and exhibited in Paris in March 1989, can today be found in Göteborg. In the new version, 'The Accusation 1-4' from 1999, the victim is under attack from mechanical and masked judges who protect themselves with shields in the shape of paragraphs.
These works tell the story of a man who was fined for a parking offence even though he did not own a car. Trapped in a mixture of red tape and judicial harassment, the man has to fight alone to prove his good faith - yet he ends up a victim, convicted and sentenced.
A tribute to Kafka, this story is an allegory of the indiscriminate workings of the administrative and judicial systems, and is illustrated in the bas-reliefs which take the classic form of a Descent from the Cross with the main character as the centrepiece.
But to understand their message fully, they have to be looked at both as a whole and in their myriad details, reminding us of the ceaseless bustle typical of the surrealist paintings of Hieronymus Bosch."
By Laure Barbizet-Namer
(In 1999 Laure Barbizet-Namer was assistant curator in charge of the painting and print department at Musée d'histoire Contemporaine, (the Museum of Contemporary History), Paris)(Mr K - A Story of Passion was shown in several exhibitions in France as "La Passion de Monsieur K".)
"Like a dog, he said. It was as if the shame would survive him".
(From The Trial of Franz Kafka)
The Dialyses Case
THE DIALYSES CASE
A nurse was made to take blame for an accident which occurred during dialysis in a hospital in Linköping, Sweden.
In 1983 a new dialysis system was introduced. As it turned out this system was a failure. Three patients died, others were put in danger.
The Hospital Board, the doctors and the technicians, those who are paid to take responsibility, did not take any responsibility at all for what happened."In Sweden Jurell's triptych about 'The Dialysis Case' aroused even greater interest and tells the story of a nurse who was made to take all the blame for an accident which occurred during dialysis in a hospital.
Bought by the Swedish Nurses' Union, the bas-relief was exhibited to the public, commented on and shown on television. This story turned out to be a milestone in popular opinion, and the law concerning hospital responsibilities has since been modified.
That pictures like this have such a profound effect owes much to the fact that they appeal to our imagination by exploiting classical and religious references to point out the absurdities and shortcomings of our society.
The triptych composition of 'The Dialysis Case' calls to mind Christ's Road to Calvary in a medieval church painting, but, in contrast to that bygone era's 'picture book for believers', Torsten Jurell's pictures seek to encourage reflection in the observer, inspiring a stubborn refusal to be subjugated. In the ultimate analysis, his pictures affect us because they are beautiful and because they arouse our emotions."
In 1999 Laure Barbizet-Namer was assistant curator in charge of the painting and print department at Musée d'histoire Contemporaine, (the Museum of Contemporary History), Paris)
(Draft for catalogue text to "Fire!" (Det Brinner!), 2000.)
Germany and Ossietzky
The relief was lent to the Kulturhuset cultural centre in Stockholm in 2000, where it was exhibited as part of "Fire!" (Det Brinner!).
Confidence or Betray
More about The Temptation: FIND HERE
"The radio was on...
"...I was carving.
The Berlin Wall had fallen...
Lots of people were waxing lyrical
about 'the Market' and 'Europe'.First the Ebbe Carlsson affair, then
A kind of market picture - a picture of the Market...
Two men exchanging stars.
Maybe one of them was a STASI informer...
Who knows?..."Catalogue text for "Ladies and Gentlemen..."
141:an, Gothenburg 1996The relief was carved for the EU-critical exhibition
"Bara Brysselkål", Frölunda Kulturhus, Sweden, 1980
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